A Clockwork Orange
Author: Anthony Burgess
Publisher: William Heinemann
Publisher: William Heinemann
Published: September 6, 2012 (originally published, 1962)
Page count: 352
Genres: scifi, dystopian, speculative, horror
Page count: 352
Genres: scifi, dystopian, speculative, horror
Date read: August 9, 2019
Number of times read: 1
Format: audiobookSource: Audible
Summary
A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"
This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked." -- via Goodreads
A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. And when the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"
This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked." -- via Goodreads
Review
This is not a book you read for pleasure.
This is not a book you "like" in the way you like Harry Potter or ice cream.
You don't "enjoy" it...but you do respect it for what it achieves as a piece of writing. It is a very well constructed piece of writing. Linguistically marvelous for sure. Burgess's NADSAT is up there with Tolkien's elvish in terms of language creation, which makes sense when you read that Burgess, like Tolkien, had a background in linguistics. The melange of Russian and British with NADSAT points to influence by Russia onto the British youth culture in the novel's dystopian alternate timeline. Even though it's not an influence that is ever explored, probably because our extremely unreliable narrator is a 15-year old boy who couldn't give a flying fuck about the influence of other countries on his own, it's an interesting thread for the reader to consider alongside everything else Burgess presents.
A Clockwork Orange is a disturbing book from the outset. From the very first sentence you know you're in for a brutal "what the fuck is Burgess thinking?" ride. There's such an extreme level of violence and depravity that the narrator engages in that Burgess coined his own NADSAT phrase for it, ultra-violence, which has seeped into popular culture to describe random acts of violence simply for the sake of violence. Because Alex is the narrator, the reader is treated to a first-hand journey into the depth of his depravity. He spares no expense describing what he does in lurid detail, I think the linguistic oddities of NADSAT are the only reason I could actually get through reading the book. If it had been written in plain English the level of description would have been far, far too much for my overactive imagination. It was hard enough with the NADSAT. It's not a take I've seen often in fiction, where an author fully immerses the reader in the mind of a deranged teenager and sends them down the rabbit hole of their darkness. I can think of only two other times I've experienced it. Stephen King's novella Apt Pupil and Christopher Pike's TheWicked Heart, both of which eerily enough involved Nazi influence on the narrators.
The next bit of this review is going to be a bit spoilery so I'm adding a jump cut...
This is not a book you "like" in the way you like Harry Potter or ice cream.
You don't "enjoy" it...but you do respect it for what it achieves as a piece of writing. It is a very well constructed piece of writing. Linguistically marvelous for sure. Burgess's NADSAT is up there with Tolkien's elvish in terms of language creation, which makes sense when you read that Burgess, like Tolkien, had a background in linguistics. The melange of Russian and British with NADSAT points to influence by Russia onto the British youth culture in the novel's dystopian alternate timeline. Even though it's not an influence that is ever explored, probably because our extremely unreliable narrator is a 15-year old boy who couldn't give a flying fuck about the influence of other countries on his own, it's an interesting thread for the reader to consider alongside everything else Burgess presents.
A Clockwork Orange is a disturbing book from the outset. From the very first sentence you know you're in for a brutal "what the fuck is Burgess thinking?" ride. There's such an extreme level of violence and depravity that the narrator engages in that Burgess coined his own NADSAT phrase for it, ultra-violence, which has seeped into popular culture to describe random acts of violence simply for the sake of violence. Because Alex is the narrator, the reader is treated to a first-hand journey into the depth of his depravity. He spares no expense describing what he does in lurid detail, I think the linguistic oddities of NADSAT are the only reason I could actually get through reading the book. If it had been written in plain English the level of description would have been far, far too much for my overactive imagination. It was hard enough with the NADSAT. It's not a take I've seen often in fiction, where an author fully immerses the reader in the mind of a deranged teenager and sends them down the rabbit hole of their darkness. I can think of only two other times I've experienced it. Stephen King's novella Apt Pupil and Christopher Pike's TheWicked Heart, both of which eerily enough involved Nazi influence on the narrators.
The next bit of this review is going to be a bit spoilery so I'm adding a jump cut...